If the eyes are the windows to the soul, the pair belonging to the cyborg heroine of Alita: Battle Angel are a set of double doors flung wide open, as limpid and blossoming as a Keane painting’s. Alita (Rosa Salazar) enters the movie atop a heap of scrap outside the settlement of Iron City, which is where most of what human life remains on Earth has clustered in the mid–26th century. Or rather, her head does, along with a remnant of metallic spine dangling below. Storefront cybernetic surgeon Dyson Ido (Christoph Waltz) finds Alita’s central nervous system and rebuilds her from the neck down, but the movie, which was directed by Robert Rodriguez and co-written by James Cameron and Laeta Kalogridis, works in the other direction, from the gut—or is it the crotch—to the heart, only occasionally making it all the way to the brain.
from Stories from Slate http://bit.ly/2S5RBtL
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